Han Dae Soo's raw vocal power can be best witnessed on his 1974 debut "Long Long Road," an authentic snapshot of how acoustic music can be both rebellious and lighthearted.
South Korean rapper Lil Cham doesn't need Auto-Tune to get the party started.
Voices as raw and as real as Whang Bo Ryung aren't easy to come by.
Why does Alus think K-pop fans listen to her music? For the same reason she listens to K-pop.
YDG's high caliber of guest stars on the track, including the rappers Tiger JK, Yoon Mi Rae and Bizzy, offer a stunning array of styles on what is a profoundly solid beat from legendary Korean hip-hop production team Double Dragon.
It is that Kang Min Hee's skill for keeping it simple that makes "Call Me Noona" just flat-out feel good to listen to.
Compared to the larger-than-large explosions that K-Pop is often associated with, "Bird" seems content in its own modest, almost miniature stature.
As K-pop's first sex symbol, Kim Chu Ja's natural talent was sometimes overshadowed by her beauty.
On Thursday evening, following the second-ever US screening of "Nine Muses Of Star Empire" at The Korea Society in New York City, Lee discussed why he made the documentary.
EXO's "Overdose" is as raw and real a sound as anything on the K-pop charts today.
Arden Cho's cover of "Beautiful Night" is a sweeter and more stripped-down version of the popular BEAST song.
With the new single "Let's Quit," Hanhae from the South Korean hip-hop trio Phantom proves to any doubters out there that he has what it takes to make it alone.
Fusing elements of classic 1960s American crooners like Johnny Mathis and the 1970s pop icons of his homeland like Cho Young Pil, "I Am A Happy Man," seems to come from another time, almost another world.