South Korean underground rappers P-Type and Chaboom harness the power of Neil Young's 1970 classic "Southern Man" to create something new on "The Stranger."
On her 2013 single "Soil," Bluedawn vocalist Han Hee Jeong showed how a few small ideas can come together to make a big impact.
With a powerful beat and a vocal performance straight from the heart, VERRY's latest single "We Can Luv" featuring rapper Odee, released on Thursday, manages to be both soothing and moving.
On this obscure punk track, all-female band Rule Destroyer brought enough energy to power a small nation.
When the three-member K-pop girl group Purfles debuted back in October with their first single "1,2,3" they had so confidence right out of the gate, you'd think they'd been making hits for years.
MC Mong's tongue-in-cheek lyrics and style are similar to those of Psy but thanks to the crushworthy vocals of Mikey of Chancellor Of The Channels, "Love Mash" sounds just like an American top 40 hit.
On their crushing 2013 single "Horongbul," power trio Galaxy Express prove that you don't need any fancy electronic gadgetry to get the job done.
Like a master chef, on "Hold Me," G-Flow combines seemingly random ingredients, a mellow Fender Rhodes chord progression, a gritty synth bass, a Dirty South drum loop, and turns them into something daringly divine.
On "Mastering," released on Thursday, the singer has once again done a full 180, Andamiro has returned with a new name (Anda) and a new sound, a sultry Wurlitzer-driven R&B that is nothing short of intoxicating.
On Tuesday, the South Korean girl group GI (an acronym for "Global Icon"), seemed poised for a major comeback in the world of K-pop, with their third single "Echo" scheduled for release the following day.
On the 2012 Girls' Generation-TTS track "Checkmate," songwriter and producer Hitchhiker jumps through musical idioms with ease.
On the Billy Carter song "Love and Hatred" the band members show their reluctance to take themselves too seriously, except where the music is concerned.
Recorded live in one take and filmed with a single unedited camera shot, Daeho and Banseok perform an a capella cover of JYP's "You're The One" that far surpasses the original in vocal greatness.