YG's New Girl Group BABYMONSTER Stirs Controversy with Debut—Too Much BLACKPINK Influence?
As YG Entertainment's highly anticipated girl group following the monumental success of BLACKPINK, BABYMONSTER faced an immense wave of expectations leading up to their official debut on November 27th.
The debut marked a significant moment for the six-member group, albeit without the presence of their acknowledged "ace," Ahyeon.
The unveiling of their debut song and music video, "Batter Up," at the stroke of midnight in Korean time, marked BABYMONSTER's official foray into the competitive landscape of the music industry.
BABYMONSTER's Debut Anthem: Unveiling YG's Ambition with Hip-Hop Excellence and Asa's Lyricism
"Batter Up" distinctly captures YG Entertainment's trademark hip-hop aesthetics, featuring a magnetic hook, formidable basslines, arresting siren sounds, and seamless transitions between verses.
The song, more than just a musical introduction, serves as a declaration of YG's ambition for BABYMONSTER, conveying a resolute message of confidence, courage, and an unwavering determination to redefine the global music market.
Unlike their predecessors, the absence of star producer Teddy in BABYMONSTER's musical composition doesn't signify a departure from excellence.
Instead, Japanese member Asa has proven her mettle, showcasing her prowess in both lyricism and composition. The collaborative efforts of Yang Hyunsuk, alongside other YG producers and artists, have also contributed to shaping the distinctive sound of "Batter Up."
READ ALSO: BABYMONSTER, YG Unveil Mysterious Logo in Jaw-Dropping Debut On THIS Month
Visual Brilliance: BABYMONSTER's Debut Video Radiates Youthful Confidence Amid BLACKPINK Comparisons
The accompanying debut music video of BABYMONSTER is a visual spectacle, unfolding against various backdrops that predominantly emphasize the youthful exuberance and confidence radiated by the group's six members.
NETIZENS COMMENT
Here's what fans are saying:
When I listened to the AI version of Blackpink, it seemed like Blackpink was alive.. The song is froggy, but...
Wow... I'm so glad. I didn't want to spend, but I wondered what I would do with guys like Blackpink... I was satisfied with 10,000 more than once. She's good and pretty, but that's it.
In fact, Blackpink also resembles 2NE1, but they made up for it with the quality of the songs and the star quality of the members. When I saw the result, it felt as if they had inherited the company's personality... It was surprising in a different way to come out with something that was so different from what I expected. yes. This is just an increase in the number of people.
The song is okay for me too, but it's a pity that there isn't a girl who really likes her. If you keep watching, there will be a girl who stands out. During Blackpink or 2NE1, there was someone who was immediately recognizable just by looking at the first music video.
I can't help but talk about 2NE1's Blackpink music video, but the quality is worse, and the song and styling overall aren't fresh or attractive, and it feels like a version that cost less money. I'm really out of touch with it.
I feel like I'm watching a cover of Boombayah on an audition program.
It's like Blackpink's 2nd season..
However, the striking similarities between "Batter Up" and BLACKPINK's iconic "Boombayah" have sparked comparisons, with parallels drawn not only in the video's segments but also in the structural arrangement of rap and vocal verses within the song.
BABYMONSTER's 'Batter Up' Sparks Contrasting Views on Rap Prowess and Song Dynamics
While members Ruka and Asa have garnered praise for their commanding rap performances, opinions on "Batter Up" remain divided. Critics argue that the song lacks a clear climax and standout moments, contrasting with the visual brilliance displayed by BABYMONSTER in their debut music video.
As the group navigates the initial reactions and critiques surrounding their debut, BABYMONSTER stands at the threshold of what promises to be a dynamic and closely-watched journey in the ever-evolving landscape of the music industry.
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Madison Cullen wrote this.
