Han Dae Soo's raw vocal power can be best witnessed on his 1974 debut "Long Long Road," an authentic snapshot of how acoustic music can be both rebellious and lighthearted.
It's rare that a group delivers the kind of commanding performance right out of the gate that SHINee offers up in "Love Like Oxygen."
Sunmi's "Full Moon" seems to be about making love under, or perhaps, on the moon, possibly for the first time.
With a sound that is unique yet familiar and a look that is sexy yet strong, Ailee has become one my new favorite K-pop artists.
Kim Jung Mi hits the mark on her classic 1973 psych-folk record "Now."
YDG's high caliber of guest stars on the track, including the rappers Tiger JK, Yoon Mi Rae and Bizzy, offer a stunning array of styles on what is a profoundly solid beat from legendary Korean hip-hop production team Double Dragon.
Compared to the larger-than-large explosions that K-Pop is often associated with, "Bird" seems content in its own modest, almost miniature stature.
As K-pop's first sex symbol, Kim Chu Ja's natural talent was sometimes overshadowed by her beauty.
Arden Cho's cover of "Beautiful Night" is a sweeter and more stripped-down version of the popular BEAST song.
Kim Dae Hwan could be be the first drummer in Korea who insisted on forging his own path.
Fusing elements of classic 1960s American crooners like Johnny Mathis and the 1970s pop icons of his homeland like Cho Young Pil, "I Am A Happy Man," seems to come from another time, almost another world.
Kim Soo Chul nearly quit music after releasing his first album "The Flower That Could Not Blossom" in 1983.
Roller Coaster knew that the best grooves are the ones your feel deep down, and not because your being bludgeoned by bass either.