Girls' Generation-TTS, whose second EP "Holler" was released Tuesday, may have drifted from the sunny side of the street, they still sure make you want to drift toward the dance floor.
On his 2004 album "Brownpaper," Korean electronic pop artist and former Onnine Ibalgwan member Daytripper made music from the noise of everyday life.
T-ara's new single "Sugar Free (Big Room Version)" is a drastic shift from their old style, and a gutsy foray into the world of "Big Room" EDM.
Over the course of their nine-minute song "Maruta," released on the 2009 album "The Revenge of Soul," Sad Legend prove that black metal is more than just a one-color sound.
Last month, Shirosky released her fourth EP, "Domino." The album is a major step forward, refining her concept of bridging jazz and hip-hop while adding modern electronic blips and bleeps.
The 11 Korean bands featured on this 2012 reimagining of My Bloody Valentine's 1991 album "Loveless" don't try to beat the band at their own game but instead put their own creative spin on each song.
Over nearly six minutes, the weariness and tension never fade in Kim Doo Soo's seminal track "Bohemian."
Though best known for composing music for several Korean dramas (including the hit show from "Spring Waltz," also from 2006), this album strays a bit away from that and delves into a more lighthearted and youthful brand of music.
Dynamic Duo's collaboration with DJ Premier,"AEAO," bears ample fruit as a meeting of minds, continents, eras and styles.
The Korean answer to Daft Punk's marriage of rock power and electronic music, The Koxx go hard on their debut album "Access OK."
Asian Chairshot's ethos of keeping things simple but smart is best heard on the song "Lord of the Basement," an eight-and-a-half-minute epic from their 2013 EP "Mask."
Park Ki Young & Acoustic Blanc create quite a pleasant mood on their new mellow jazzy album "Bella Waltz"
Idiotape's innovative combination of rock and electronic dance music is on clear display on "With The Flow"